
I reduced in size the homemade decals to see if they would adhere more firmly to each bead and it seems as though this is working.

Yesterday I decided to play with some texture tools. These are my favorite. They have many different shaped ends and combining them satisfies that occasional whim to go geometric.
This is pretty self explanatory. First I measured out a small ball of clay, rolled it, and pierced it. The next photo shows a small cap that I used to make circles. The third photo shows the two tool bits I decided to utilize. I love triangles! The fourth and fifth photo shows the end result after playing around a bit.
When I originally started these beads, I had in mind a black and white cow pattern, but then thought better of it ... what woman wants to wear a 'cow bead'? So I filled in the white with a soft pink glossy glaze and this is how they came out ... and they remind me those 1950's Kitchen of Tomorrow" color schemes. This is a fun look. I will be making more of these. Definitely.
The other day I was watching television and a commercial about mayonnaise came on. It featured olive oil instead of regular oil as one of the ingredients and it showed an olive shape with black and white cow pattern markings. It captured my attention and I thought ... oh I have to make a bead with cow markings. 
I placed these rods too close to each other in the kiln and the beads fused together. It makes for an interesting design opportunity though. I'm thinking these would make a fun addition to a double stranded bracelet or perhaps a dangling focal piece on a necklace. I'm intrigued by the possibilities.
I love teapots and for a short while I collected them, then I started making them, too. They are satisfying and the spout is always a challenge. There is a way to help them not to dribble, the idea is to give a nice sharp edge. And no matter how many times I make a teapot the real test is to see how it pours after it is bisque fired. However, these sculptural teapot beads are not functional. They are just lot of fun to sculpt.
A few months back I acquired some letterpress ... perfect for making alphabet beads. The first step is deciding which clay body to use. I'll start out with a nice white. This particular porcelain clay body is quite translucent. If I use a transparent glaze, then it should break in interesting patterns over each textured letter.

Dangling opportunities abound with this shape of a bead. These are pierced from top to bottom, but I have some that are pierced through on the side, too.
I rolled a slab of stoneware clay and then used a small bone shaped 'cookie cutter' to get this shape. I smoothed around the corners, then pierced with a hole fired and glazed it and refired it to maturity. It is 30 mm long and 18 mm wide and 7 mm thick. The hole is 1 mm.
I have made more round beads than pendants and for some reason this particular day I was in the mood to make pendants. I used a pair of plastic scissors that is normally used in scrapbook making to cut these strips of clay. I lightly dusted the clay with baby powder so that the clay did not stick to the scissors. I used a small amount of water on a Q-tip to moisten the clay shaped heart in order that the zigzag strips of clay with adhere properly. Then I dried and fired this with several more heart shaped pendants
I have been trying my hand with small sculptures ever since the Etsy Mud Team Challenge a year or so ago. The sculpture challenge was a blast and I never would have tried any kind of sculpture without that challenge.
Apologies for not having written anything in a while, a long while. I've been on vacation. I've started firing beads again only the last few days. I've come up with a few bead combinations. I am planning on making this one a permanent part of my glaze collection that I'm slowly putting together.